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	<title>Scott Wilson &#8211; Nine-Banded Books</title>
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		<title>On the Verge of Nothing: Pessimism’s Impossible Beyond</title>
		<link>https://www.ninebandedbooks.com/shop/book/on-the-verge-of-nothing-pessimisms-impossible-beyond/</link>
		
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		<pubDate>Fri, 12 Aug 2022 18:47:01 +0000</pubDate>
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					<description><![CDATA[<p><img width="350" height="522" src="https://www.ninebandedbooks.com/wp-content/uploads/2022/08/cover-on-the-verge-of-nothing.jpg" class="attachment-post-thumbnail size-post-thumbnail wp-post-image" alt="On the Verge of Nothing: Pessimism’s Impossible Beyond" decoding="async" fetchpriority="high" srcset="https://www.ninebandedbooks.com/wp-content/uploads/2022/08/cover-on-the-verge-of-nothing.jpg 350w, https://www.ninebandedbooks.com/wp-content/uploads/2022/08/cover-on-the-verge-of-nothing-201x300.jpg 201w" sizes="(max-width: 350px) 100vw, 350px" /></p>6 x 9 | 196 pages

<hr />

Gary Shipley’s <em>On the Verge of Nothing</em> moves according to a patient logic, asking us to consider what follows when we begin from pessimism, rather than arriving at it. Through Shipley’s ciphers – Nietzsche, Pessoa, Lispector, contemporary performance art – pessimism is illuminated as at once unliveable and unconsolable, and yet unavoidable. Reading <em>On the Verge of Nothing</em>, the primordial philosophical question of “how to live” now takes on contours that are colder, more detached, and yet, somehow, deeply engaged.

–Eugene Thacker, author of <em>Infinite Resignation</em>

“Beginning insistently with the end of thought, this panegyric of the pointless offers a withering post-pessimistic ethics and aesthetics of diversionary tactics for life in the void. Territories traversed include dreams and delusions, the limits and purpose of self-consciousness, human animality, and the paradox of feeling-thinking. Gary J Shipley’s lucid, often pitiless diagnoses; rigorous, informed, and tight arguments; bons mots and essential apercus – larded with a rich compost of quotation (Pessoa, Lispector, Cioran, Kafka, etc.) – pursue a relentless thrashing of thought, sketching both a Bartlett’s and a Baedeker of our inevitable doom. These essays, aphorisms, fragments, and quotations have been shored not against but amidst ruin. Experimental, exploratory soundings and performances, a fantasia for the end of the world: this word horde is an essential drug for addicts of the impossible.”

— Stuart Kendall, author of<em> Georges Bataille</em>]]></description>
										<content:encoded><![CDATA[<p><img width="350" height="522" src="https://www.ninebandedbooks.com/wp-content/uploads/2022/08/cover-on-the-verge-of-nothing.jpg" class="attachment-post-thumbnail size-post-thumbnail wp-post-image" alt="On the Verge of Nothing: Pessimism’s Impossible Beyond" decoding="async" srcset="https://www.ninebandedbooks.com/wp-content/uploads/2022/08/cover-on-the-verge-of-nothing.jpg 350w, https://www.ninebandedbooks.com/wp-content/uploads/2022/08/cover-on-the-verge-of-nothing-201x300.jpg 201w" sizes="(max-width: 350px) 100vw, 350px" /></p>6 x 9 | 196 pages

<hr />

Gary Shipley’s <em>On the Verge of Nothing</em> moves according to a patient logic, asking us to consider what follows when we begin from pessimism, rather than arriving at it. Through Shipley’s ciphers – Nietzsche, Pessoa, Lispector, contemporary performance art – pessimism is illuminated as at once unliveable and unconsolable, and yet unavoidable. Reading <em>On the Verge of Nothing</em>, the primordial philosophical question of “how to live” now takes on contours that are colder, more detached, and yet, somehow, deeply engaged.

–Eugene Thacker, author of <em>Infinite Resignation</em>

“Beginning insistently with the end of thought, this panegyric of the pointless offers a withering post-pessimistic ethics and aesthetics of diversionary tactics for life in the void. Territories traversed include dreams and delusions, the limits and purpose of self-consciousness, human animality, and the paradox of feeling-thinking. Gary J Shipley’s lucid, often pitiless diagnoses; rigorous, informed, and tight arguments; bons mots and essential apercus – larded with a rich compost of quotation (Pessoa, Lispector, Cioran, Kafka, etc.) – pursue a relentless thrashing of thought, sketching both a Bartlett’s and a Baedeker of our inevitable doom. These essays, aphorisms, fragments, and quotations have been shored not against but amidst ruin. Experimental, exploratory soundings and performances, a fantasia for the end of the world: this word horde is an essential drug for addicts of the impossible.”

— Stuart Kendall, author of<em> Georges Bataille</em>]]></content:encoded>
					
		
		
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