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	<title>Tool &#8211; Nine-Banded Books</title>
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		<title>Tool</title>
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		<pubDate>Tue, 02 Aug 2022 16:37:41 +0000</pubDate>
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					<description><![CDATA[<p><img width="350" height="522" src="https://www.ninebandedbooks.com/wp-content/uploads/2022/08/cover-tool.jpg" class="attachment-post-thumbnail size-post-thumbnail wp-post-image" alt="Tool book" decoding="async" fetchpriority="high" srcset="https://www.ninebandedbooks.com/wp-content/uploads/2022/08/cover-tool.jpg 350w, https://www.ninebandedbooks.com/wp-content/uploads/2022/08/cover-tool-201x300.jpg 201w" sizes="(max-width: 350px) 100vw, 350px" /></p>In 1985, Peter Sotos was arrested. He was charged with obscenity for publishing a magazine and was later convicted for possession of child pornography. After his trial, he kept a low profile. He worked for a meat distribution company and struggled to pay down his legal bills. He underwent mandatory counseling. Then, in the late 1980s, he began writing a manuscript that, once published, would signal the mature arrival of one of the most disquieting and original voices in English literature. That manuscript was called <em>Tool</em>.

Opening with an excruciating set piece inspired by the crimes of Ian Brady, <em>Tool</em> unfolds through a sequence of vivid metafictional narratives that rain hard light on the blackest recesses of a Sadean abyss, limning a ferocious <em>tableau vivant</em> thronged with victims and whores and jaded cops, with grief-stricken mothers, writhing AIDS casualties, and abased gloryhole habitués. In one deeply resonant chapter, Sotos renders a coruscating account of his fateful arrest and interrogation.

Written in lean, exacting prose, Tool stands as a deftly structured, pornographically sifted psycho-literary inquest, a pneumatic masterpiece marked by preternatural acumen, stark verisimilitude, and implacable emotive gravity. Originally published by Jim Goad in the 1996 omnibus, <em>Total Abuse</em>, the text has since appeared in the Creation Books collection, <em>Proxy</em>. This is the first stand-alone edition. It is presented with a publisher’s introduction and a new closing essay by Peter Sotos.]]></description>
										<content:encoded><![CDATA[<p><img width="350" height="522" src="https://www.ninebandedbooks.com/wp-content/uploads/2022/08/cover-tool.jpg" class="attachment-post-thumbnail size-post-thumbnail wp-post-image" alt="Tool book" decoding="async" srcset="https://www.ninebandedbooks.com/wp-content/uploads/2022/08/cover-tool.jpg 350w, https://www.ninebandedbooks.com/wp-content/uploads/2022/08/cover-tool-201x300.jpg 201w" sizes="(max-width: 350px) 100vw, 350px" /></p>In 1985, Peter Sotos was arrested. He was charged with obscenity for publishing a magazine and was later convicted for possession of child pornography. After his trial, he kept a low profile. He worked for a meat distribution company and struggled to pay down his legal bills. He underwent mandatory counseling. Then, in the late 1980s, he began writing a manuscript that, once published, would signal the mature arrival of one of the most disquieting and original voices in English literature. That manuscript was called <em>Tool</em>.

Opening with an excruciating set piece inspired by the crimes of Ian Brady, <em>Tool</em> unfolds through a sequence of vivid metafictional narratives that rain hard light on the blackest recesses of a Sadean abyss, limning a ferocious <em>tableau vivant</em> thronged with victims and whores and jaded cops, with grief-stricken mothers, writhing AIDS casualties, and abased gloryhole habitués. In one deeply resonant chapter, Sotos renders a coruscating account of his fateful arrest and interrogation.

Written in lean, exacting prose, Tool stands as a deftly structured, pornographically sifted psycho-literary inquest, a pneumatic masterpiece marked by preternatural acumen, stark verisimilitude, and implacable emotive gravity. Originally published by Jim Goad in the 1996 omnibus, <em>Total Abuse</em>, the text has since appeared in the Creation Books collection, <em>Proxy</em>. This is the first stand-alone edition. It is presented with a publisher’s introduction and a new closing essay by Peter Sotos.]]></content:encoded>
					
		
		
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